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Join us on the living land for this ticketed event on Sept. 12, 2026 (rain date Sept. 26), as Sarah Gordon Butler's Hay Rake Ballet merges with an active Wisconsin hay harvest!

Make Hay While the Sun Shines begins with an opening act by Wild Space Dance Company, leading the audience past straw sculpture by artist Brian Sobaski to the living stage for the Hay Rake Ballet, where choreographed farm machinery, harvest rhythms, and live music converge in an unforgettable production. Rooted in the fertile space between culture and agriculture, Make Hay While the Sun Shines invites audiences to celebrate the harvest and our enduring connections to the land.

The Hay Rake Story

The Hay Rake Ballet—a dance performance of farm machinery—made its modest but moving debut during the 2024 Farm/Art DTour.

In 2025, with a generous grant from the Ruth Arts Foundation, we continued our collaboration with choreographer, and past resident artist, Sarah Gordon Butler and a cast of adventurous local farmers led by Andy Enge. This was a year for research and development to test the creative limits of both humans and machines while ensuring the farmers necessary work would not be interrupted (too much). Our ambitious goal was to grow the ballet into a full-scale production to coincide with the complete process of making hay in fall 2026.

That work culminates in Make Hay While the Sun Shines, debuting Saturday, Sept. 12, 2026 (rain date September 26) in Sauk County, Wis., featuring the full production of Hay Rake Ballet along with a live orchestra, an opening act by Wild Space Dance Company, and more.

The ballet frames everyday farming practices within a classical dance aesthetic, and pays homage to the inherent craft and significance of family farm-scale agricultural practices. It represents a rare fusion of contemporary art and lived rural experience, offering a window into the culture embedded in agriculture and space for inspiration, creative exploration, and pride of place.

Artist's Field Research

The 2025 growing season was all about research and development—as we evolved this work from a proof of concept into a fully choreographed, multi-act performance and test what works in concert with the harvest.

Much like farming itself, the work requires adaptability and flexibility, with its final choreographic form dependent upon daily conditions and relationships with the farmers who “read” the score of the land based on their unique knowledge.

Farming on any scale is highly choreographed. Farmers interact on the land with machinery, animals, and one another. They must be ready to improvise: the dance changes depending upon the task, the crew and tools needed to accomplish it, and the weather. Though it is seldom considered an aesthetic practice, with the proper perspective and sensitive guide, its beauty and power can be recognized and celebrated.”